《离骚》叙事与“辞”体的发展  

The Narration of Li SAO and the Development of“Ci”Style

作　　者：蔡树才 王召宇 CAI Shucai;WANG Zhaoyu(School of Liberal Arts,Minnan Normal University,Zhangzhou 363000,China)

机构地区：[1]闽南师范大学文学院,漳州363000

出　　处：《云梦学刊》2023年第6期64-72,共9页Journal of Yunmeng

基　　金：国家社会科学基金西部项目“出土战国叙事文献整理与研究”(21XZW044)。

摘　　要：《离骚》同卜辞、祭祷辞的结构是大体对应的,其内容是运用叙述语言模拟在场的卜筮、祭祷等仪式展演活动。从东周时期言说、书写逐步脱离歌唱与仪式展演而独立发展的脉络看,《离骚》应是一种远离了音乐和占祭仪式、对人类本真活动加以语言化叙述和模拟的叙事韵文,是一种口头“辞”体文本,不宜归入“诗”。而在口传韵文转变为书面文本的过程中,《离骚》的叙事性得到进一步加强。因此,从叙事、口传韵文两个角度重新认识《离骚》和战国文学史,是十分必要的。The structure of Li SAO roughly corresponds to Oracle Inscriptions and sacrificial prayer.Its content is to use narrative language to simulate Oracle Inscriptions,sacrificial prayer and other ceremonial performances on site.From the perspective of the independent development of speech and writing from singing and ritual performance in the Eastemn Zhou Dynasty,Li SAO is a kind of narrative verse and oral"Ci"(辞)text,which is far away from music and ritual narrating and simulating human's real activities in language.In the process of changing from oral verse to written text,the narrative of Li SAO is futther enhanced.It is necessary to re-understand Li SAO and the history of W arring States literature from narrative and oral verse.

关 键 词：叙事结构 叙事韵文 口传文学 辞 

分 类 号：I207.22[文学—中国文学]