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作 者:张长念[1] 高启恒 宋雪松 郭玉峰[1] Zhang Changnian;Gao Qiheng;Song Xuesong;Guo Yufeng(School of Dance and Martial Arts,Capital University of Physical Education and Sports,Beijing 100191,China)
机构地区:[1]首都体育学院武术与表演学院,北京100191
出 处:《武术研究》2023年第11期97-100,114,共5页Wushu Studies
基 金:北京市社会科学基金项目,编号:21YTB024。
摘 要:爬杆作为天桥传统体育的重要组成部分,如今却逐渐淡出大众视野,仅零星存在于艺术表演中。文章基于对非物质文化遗产传承人的访谈及实地调研,运用文献资料法和逻辑分析法对天桥爬杆衰落原因进行剖析,研究结果:(1)大众审美由“练”向“演”转化,爬杆演出编创需紧跟时代;(2)旧的传承方式堵住了爬杆项目发展之路;(3)如今训练方式趋向更安全、更科学、更大众,旧有方式已落后。并提出建议:(1)依靠天桥地区,回归市场,完善表演链,开拓新的表演渠道;(2)确定以传承人为主体,拓宽人才培养渠道;(3)针对不同场景,优化技术体系,推进全民健身。Climbing poles,as an important component of traditional sports on overpasses,have gradually faded out of public view and only exist sporadically in artistic performances.This article is based on interviews with inheritors of intangible cultural heritage and on-site research,using literature review and logical analysis methods to analyze the reasons for the decline of overpass climbing poles.The research results are as follows:1.The transformation of public aesthetics from"practice"to"performance",and the creation of climbing pole performances needs to keep up with the times.2.The old inheritance method has blocked the development path of the climbing pole project.3.Nowadays,training methods tend to be safer,more scientific,and more popular,while the old methods have fallen behind.And propose the following suggestions:1.Rely on the overpass area,return to the market,improve the performance chain,and explore new performance channels.2.Determine that inheritors are the main body and expand talent training channels.3.Optimize the technical system for different scenarios and promote national fitness.
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