中西音乐批评范式的差异与融合  

Differences and Integration of Chinese and Western Music Criticism Paradigms

作　　者：陈艳伟 Chen Yanwei

机构地区：[1]黄淮学院音乐学院

出　　处：《中国音乐》2023年第6期188-193,共6页Chinese Music

摘　　要：西方文化注重理性思辨,音乐批评活动常以乐谱的理性分析为出发点;中国传统文化注重悟性,音乐批评侧重言有尽而意无穷的“意境”营造以及对于作品“言外之意”和“弦外之音”的领悟。中西方音乐批评范式由此表现出明显的形态差异。由于理性属于人类表层意识的认识功能,而是悟性属于深层潜意识的认识功能,因此建构一种融合表层意识和潜意识的分析方法无论对于中国传统音乐还是西方音乐作品的分析都具有重要理论价值。Western culture places an emphasis on rational speculation,and music criticism often originates from a rational analysis of musical scores.In contrast,traditional Chinese culture values intuitive understanding,with music criticism highlighting the creation of an"artistic conception"that suggests more than words can express,as well as a grasp of the"implied meaning"and the"notes beyond the strings"of a composition.This results in a distinct difference in the forms of music criticism between China and the West.Given that rationality pertains to the cognitive functions of the superficial consciousness and intuition relates to the deeper subconscious cognitive functions,constructing an analytical method that combines both superficial and subconscious understanding holds significant theoretical value for both traditional Chinese and Western music analysis.

关 键 词：音乐学分析 悟性 潜意识 

分 类 号：J605[艺术—音乐]