优游于艺术——明末徽商与江南艺术市场的文化互动  

Euphoria in Art--The Cultural Interaction between Huizhou Merchants and the Art Market in Gangnam in the Late Ming Dynasty

作　　者：王超[1] 郑兴[1] WANG Chao;ZHENG Xing(School of Art Design,Anhui Business College of Vocational Technology,Wuhu Anhui 241002,China)

机构地区：[1]安徽商贸职业技术学院艺术设计学院,安徽芜湖241002

出　　处：《鞍山师范学院学报》2023年第4期81-86,共6页Journal of Anshan Normal University

基　　金：安徽省高校人文社会科学重点项目(SK2021A1054);安徽省高校优秀青年人才支持计划重点项目(GXYQZD2022139).

摘　　要：明末,古玩字画等艺术品逐渐商品化,货币成为艺术品交易的主要支付手段,其交易方式与普通商品相比更具复杂性和隐蔽性,交易价格反映出“以古为贵,以名为尚”的时代审美特点.在这一历史进程中,作为交易主体,徽商在艺术品鉴藏等活动中建立了价值体系与社会认同,对推动江南文化和艺术市场的发展做出了举足轻重的贡献,为当下中国艺术市场实践提供了参照.Artworks such as antique paintings and calligraphy were gradually commercialized at the end of Ming Dynasty,and money became the main means of payment for art transactions,which were more complex and hidden compared with ordinary commodities,and the transaction prices reflected the aesthetic characteristics of the era of“antiquity as precious,and the name as noble”.In this historical process,Huizhou merchants,as the main body of the transaction,established the value system and social identity process in art appreciation and collection activities,and made a significant contribution to the development of Gangnam culture and art market,providing a reference for the current Chinese art market practice.

关 键 词：艺术市场 徽商 艺术经济学 明末 

分 类 号：J12[艺术—艺术理论]