“主体性介入”与“价值锚定”——论艺术生产论在新历史条件下的实践进路  

Subjectivity Intervention and Value Anchoring:A Practical Approach of Art Production Theory in the New Historical Conditions

作　　者：杨朝辉[1] 廖宏勇 YANG Zhaohui;LIAO Hongyong(School of Arts,Soochow University,Suzhou 215123,China;School of Fine Arts,South China Normal University,Guangzhou 510631,China)

机构地区：[1]苏州大学艺术学院,江苏苏州215123 [2]华南师范大学美术学院,广东广州510631

出　　处：《湖南大学学报（社会科学版）》2023年第6期117-124,共8页Journal of Hunan University(Social Sciences)

基　　金：国家社会科学基金重大项目:中国品牌形象设计与国际化发展研究(21ZD27)。

摘　　要：艺术生产论是马克思以“主体性介入”对资本主义社会的艺术“异化”现象进行价值批判而阐发的理论形态,其话语逻辑是通过对艺术创作的一般性与特殊性的考察,来重获对“主体性”的认知。在这里的“主体性”是一种非精神独占,并涵盖主体、客体与实践的复合性概念。其内涵与外延不单指主体自身,也指主体通过改造客体的活动而建立的世界。它是艺术活动把握不确定性的实践观,也是通过阐释艺术思维与存在的关系,在艺术实践中逐渐消除主体与客体、肉体与精神的对立,并对“主体性”进行价值锚定的概念结构。艺术共同体是“主体性想象”的共同体,是新历史条件下艺术生产的主导力量,是以人民性为旨归的价值共识体。The theory of artistic production is a theoretical form elaborated by Marx through subjectivity intervention to carry out a value critique of the phenomenon of alienation in the capitalist society.Its discourse logic is to regain cognition of subjectivity through an examination of the generality and specificity of artistic creation.Here,subjectivity is a non-spiritual monopoly and a composite concept that encompasses subject,object,and practice.Its connotation and extension not only refer to the subject itself,but also refer to the world that the subject builds through activities to transform the object.It is a practical view of artistic activity that grasps uncertainty,also a conceptual structure that gradually eliminates the opposition between subject and object,physical and spiritual,in artistic practice through elucidating the relationship between artistic thinking and existence,and anchoring value in subjectivity.The artistic community is a community of subjective imagination,a leading force in artistic production under new historical conditions,and a value consensus oriented towards the people.

关 键 词：艺术生产论 主体性 价值锚定 

分 类 号：J0-02[艺术—艺术理论]