物叙事:凌淑华《绣枕》另一种角度的阐释  

Narration via Objects:An Interpretation from Another Angle of Ling Shuhua’s Embroidered Pillow

作　　者：吴敏[1,2] WU Min(School of Humanities and Social Sciences,East China Jiao Tong University,Nanchang 330013,China;School of Humanities,Nanchang University,Nanchang 330031,China)

机构地区：[1]华东交通大学人文社会科学学院,江西南昌330013 [2]南昌大学人文学院,江西南昌330031

出　　处：《江苏海洋大学学报（人文社会科学版）》2023年第6期54-61,共8页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

基　　金：江西省高校人文社会科学研究课题(JC17204)。

摘　　要：凌淑华《绣枕》以“绣枕”串联整个故事,暗喻了女性的悲剧命运及所面临的困境,绣枕成为叙事的主体,作用于叙事进程,推动了叙事的发展。绣枕作为彰显女性女红能力的象征,寄寓了女性对美好婚姻的渴望,而绣枕的毁弃则暗喻了女性作为物被忽视的悲剧命运,其批判锋芒直指向以男性为中心话语的封建社会文化。Embroidered Pillow by Ling Shuhua organizes the whole story by via an object of embroidered pillow,which implies the tragedy and plight facing women.Embroidered pillow,as the subject of the narration,serves to promote the development of the plot.As a symbol of women’s needlework,embroidered pillow embodies women’s yearning for better marriages and their destruction implies the tragedy of women being neglected as objects.Its critical edge directly points to the feudal social culture with male centered discourse.

关 键 词：凌淑华 《绣枕》 物叙事 叙事进程 文化符号 

分 类 号：I207.4[文学—中国文学]