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作 者:高心悦 Gao Xinyue
机构地区:[1]中国传媒大学人文学院
出 处:《华文文学》2023年第5期23-30,共8页Literatures in Chinese
摘 要:董启章的“自然史三部曲”构筑出一个关涉当代社会过去、现在与未来的小说世界。三部长篇作品在内容上相互指涉,隐然相关,总体呈现出复杂而深刻的面貌。在小说叙事策略层面,物发挥了推进情节、映射文化的功能,同时为“元小说”的构成提供了文本物质主义的符码。在物本体的意义层面,“自然史三部曲”的物叙事包含两组对立统一的内涵:一是在认可人物共生,凝视物之本性的基础上传达对现代社会异化人性现象的反思性批判;二是在强调人类身体的物质性、摒弃二元对立、打破人类中心主义幻觉的同时力图克服肉身局限,呼唤人与自身物性和谐共处。此外,三部曲中以物为媒介达成了个体的反叛超越与精神回归,表现出董启章对当代现实生活的积极思考。以物叙事视角分析董启章的小说创作,可展示现代社会中人与物关系的互构性,同时为发掘文本中被遮蔽的内涵开辟出新路径。The Natural History Trilogy,by Dung Kai-cheung,constructs a fictional world of the past,the present and the future of a contemporary society.The three novels are inter-referential in contents,obscurely related,and presenting complex and profound features.On the level of the fictional narrative strategy,object performs the function of advancing the plot and reflecting the culture while providing the code of textual materialism for the formation of the metafiction.On the level of the meaning of object ontology,the object narrative of The Natural History Trilogy contains two groups of unified opposites,one being the reflective critique of modern alienated humanity conveyed on the basis of recognized symbiosis of human beings and object and the nature of the gazed object,and the other being the emphasis on an effort to overcome the limitations of flesh and to call human beings to return to a harmonious co-existence with natural objects while stressing the materiality of human bodies,abandoning binary opposition and breaking through the illusion of anthropocentrism.In addition,the trilogy,by way of object as a medium,reaches the rebellious transcendence and the spiritual return of the individual,revealing Dung’s positive thoughts on the contemporary real life.An analysis of Dong’s fictional creation from the viewpoint of object narrative can reveal the mutual-constructability of human beings with the objects in modern society while opening up a new path to discover the hidden contents in the text.
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