延安作家建国后的文人心态与文学道路——以何其芳1949年之后的现代诗创作为考察  

Literati Mentality and Literary Road of Writers in Yan an after the Founding of the People's Republic of China-Taking He Qi-fang's Creation of Modern Poetry after 1949 as an Investigation

作　　者：周思辉[1] ZHOU Sihui(School of Chinese Language and Literature,Guizhou Normal University,Guiyang 550025,China)

机构地区：[1]贵州师范大学文学院,贵州550025

出　　处：《长春大学学报》2023年第11期40-51,共12页Journal of Changchun University

基　　金：国家社会科学基金后期资助课题(19FZWB020)。

摘　　要：何其芳在建国之后的文学道路虽受到政治和文化环境影响,但却未停止诗歌创作。何其芳在建国后现代诗的创作中倾向对《讲话》精神的贯彻,但他之前倾心的唯美主义的个人抒情并未在这些诗歌中完全消失,而是游离与徘徊于“文艺为政治服务”的文艺思想主线。从何其芳建国后的现代诗创作可以看出,中国现代作家经历《讲话》的洗礼后,加上复杂的文学生态语境,他们的文人心态与文学道路是曲折与复杂的。Although He Qi-fang's literary road after the founding of the People's Republic of China was affected by the political and cultural environment,he did not stop writing poetry.He tended to carry out the spirit of Speech in his creation of modern poetry,while his personal lyricism of aestheticism did not disappear completely in these poems,but drifted and hovered in the main line of literary and artistic thought that“literature and art served politics”.From his creation of modern poetry after the founding of the People's Republic of China,it could be seen that the modern Chinese writers literati mentality and literary path were tortuous and complicated after the baptism of Speech as well as the complex literary ecological context.

关 键 词：何其芳 现代诗 自我抒情 革命主义思想 现代格律诗 叙事 

分 类 号：I206.7[文学—中国文学]