拒斥与迎合:《古诗归》经典谱系的建构及其诗学意义  

Rejection and Catering:On the Construction of Classical Systemof Gu Shi Gui and Its Poetic Significance

作　　者：孙佩 Sun Pei(College of Chinese Language and Literature,Luoyang Normal University,Luoyang 471934,Henan)

机构地区：[1]洛阳师范学院文学院,河南洛阳471934

出　　处：《长江大学学报（社会科学版）》2023年第5期78-83,共6页Journal of Yangtze University（Social Sciences Edition）

基　　金：河南省哲学社会科学规划青年项目“钟嵘《诗品》对唐代诗论的影响研究”(2020CWX032)。

摘　　要：《古诗归》是明代一部颇具影响力的古诗选本,它所呈现出的经典观具有特殊价值。《古诗归》试图打破《诗品》《文选》《古诗删》等传统诗学所建构的经典框架,推崇先秦逸诗、汉古诗、元嘉诗,大大降低了魏晋名家的比重,更新了对先唐诗歌发展史的认识。它又有意迎合明代中后期诗学思潮的新变,提出了颇具折中意味的“灵与厚”思想,将陶渊明的诗歌视为文人创作之典范,并致力于重新构建古诗经典体系,对后世诗学产生了至关重要的影响。Gu Shi Gui is an influential anthology of ancient poetry in the Ming Dynasty,and the classical view it presents is of special value.It tried to break the classical framework constructed in traditional poetics,such as Shi Pin and Wen Xuan and Gu Shi Shan,and advocated the ethereal poems in pre-Qin Dynasty,poems in Han Dynasty and Yuan Jia poems.It greatly reduced the proportion of poets in the Wei and Jin Dynasties,and updated people’s understanding of the development history of poems in pre-Tang Dynasty.What’s more,to cater to the new changes of poetics in the middle and late Ming Dynasty,a compromised thought of“inspiration and profundity”in Gu Shi Gui was put forward,which endeavored to reconstruct the classical system of poems and had a vital influence on the later poetics.

关 键 词：古诗归 经典谱系 “灵与厚” 竟陵派 

分 类 号：I206.2[文学—中国文学]