毛古斯戏剧悬念缺失现象的思考  

Thoughts on the Lack of Suspense in the Drama

作　　者：吴秀芳[1] WU Xiufang(Normal College of Jishou University,Jishou Hunan,416000,China)

机构地区：[1]吉首大学师范学院,湖南吉首416000

出　　处：《文化创新比较研究》2023年第27期101-105,共5页Comparative Study of Cultural Innovation

摘　　要：湘西土家族毛古斯是毫无戏剧悬念的原始戏剧。思其原因,关键在于旧时观众对毛古斯表演内容相当熟悉和毛古斯表演中强烈的巫术目的及其自身原始的戏剧形态所致。观众对表演的熟悉,难以在心中构成悬念;强烈的巫术目的会阻隔悬念的产生;而毛古斯的原始性态则从根本上消除了戏剧悬念产生的可能性。从湘西土家民间生活区域看,毛古斯现象分布较广,映现了其民族特色与韧性。该文从毛古斯是土家毛人祖先的故事着眼,由戏剧悬念缺失与毛古斯的观众因素入手,对戏剧悬念缺失与毛古斯巫术目的进行了细致分析研究,最终得出戏剧悬念缺失与毛古斯的原始性态有一种相辅相成的共生结论。Maogusi is a primitive drama of Tujia ethnic group without any theatrical suspense in western Hunan.The key reason lies in the old audience's considerable familiarity with the content,the strong witchcraft purpose and its own primitive theatrical form.The audience's familiarity with the performance will make it difficult to create suspense in their hearts.A strong witchcraft purpose can block the emergence of suspense.The primitive nature of Maogusi fundamentally eliminates the possibility of dramatic suspense.From the perspective of the folk living areas of the Tujia ethnic group in western Hunan,this Maogusi phenomenon is widely distributed,reflecting its ethnic characteristics and resilience.This article elaborates on the story of Maogusi as the ancestor of the Tujia Mao people,and starts with the lack of drama suspense and the audience factor of Maogusi.It conducts a detailed analysis and research on the lack of drama suspense and the purpose of Maogusi's witchcraft,and finally concludes that there is a symbiotic relationship between the lack of drama suspense and Maogusi's primitive nature.

关 键 词：毛古斯 戏剧形态 悬念缺失 观众因素 巫术目的 原始性态 

分 类 号：J825[艺术—戏剧戏曲] K892.3[历史地理—民俗学]