藏族“弦子”歌舞称谓源流考析  

Appellation Origin and Development of Tibetan “Xianzi”

作　　者：桑嘎卓玛[1] 罗旦[1] SANGA Zhuo-ma;LUO Dan(School of Arts,Tibet University,Lhasa 850000,China)

机构地区：[1]西藏大学艺术学院,拉萨850000

出　　处：《北京舞蹈学院学报》2023年第4期79-85,共7页Journal of Beijing Dance Academy

基　　金：国家社会科学基金重大项目“环喜马拉雅艺术图谱绘制”(项目编号19ZDA045)阶段性成果。

摘　　要：称谓是表示人的身份、地位的具体命名,是标志性符号。俗称“弦子”的藏族传统民间歌舞是中华民族歌舞文化的重要组成部分,但其在不同流传地有着不同的称谓。文章从藏语词源与汉语借词词源两方面对其“称谓多元”现象进行考辩与分析,并结合文化、区域、语言、民俗、艺术等要素对其称谓提出新认识,拟解决“弦子”的藏族传统歌舞称谓存在的歧义和混乱的现象。Appellation is a specific name that expresses the identity and status of a person,which is a representative symbol.The traditional Tibetan folk song and dance,commonly known as“Xianzi”,is an important part of the Chinese nation's song and dance culture,however,it has different appellations in different places.The paper discusses the phenomenon of“diverse appellations”from two aspects:Tibetan etymology and Chinese loanword etymology,and puts forward a new understanding of its appellation by combining the factors of culture,region,language,folk custom,and art,in order to solve the appellation ambiguity and confusion of“Xianzi”in traditional Tibetan song and dance.

关 键 词：藏族歌舞 “弦子” 康区三地 称谓 

分 类 号：J722.2[艺术—舞蹈]