检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:陈野[1] Chen Ye(Zhejiang Academy of Social Sciences,Hangzhou 310007,China)
出 处:《浙江大学学报(人文社会科学版)》2023年第10期104-117,共14页Journal of Zhejiang University:Humanities and Social Sciences
摘 要:艺术图像的意义并不完全决定于创作者的意图,也绝非止步于其产出之时,而是来自经由即时创生、历时叠加和多元汇聚层累而成的意义体系。有关南宋宫廷绘画艺术的深入分析表明,其图像意义具有因尊崇皇家权威、形塑帝王形象等国家意志的规约而生成的政治意义,因其生命史历程中多元文化权力的参与而持续叠加的文化意义,因图像文本自主性而于开放语境中拓展出的意义汇聚,由此形成立体多重的图像意义架构。宫廷绘画的意义架构具有独特性,但其经由主导者、创作者、观看者、释读者、批判者等多元主体共同参与、交流、消解、融会的长时段动态建构过程,则体现出艺术图像获得永续生命活力、在历史深处与文明同行的共性生成路径和普适性内在机制。In the art of painting,including court paintings,the generation of its image meaning is neither entirely determined by the creator’s intention,nor does it stop at the time of its output.Its meaning is a meaning system created through instant creation,diachronic superposition and synchronicity.Due to the special identity and realistic appeal of the painting subjects,court paintings have specific value presuppositions and meaning frames in terms of creative intentions and functional development.It was not only the record of the national construction process and construction achievement,but also the fields,means and participants of national construction.It was planned and organized cultural and even political activities that served immediate needs,which was of greater political significance than literati paintings and folk paintings.As far as the Southern Song Dynasty is concerned,due to its special historical circumstances,political and military structure,and realistic pressure,political significance was particularly valued.It took on more roles in shaping the image of the emperor,maintaining the political unity of the dynasty,stabilizing the political situation and popular sentiment,rebuilding social order,and strengthening the collective identity of the people and served other political and educational functions.National will was an important factor in regulating the political significance of court paintings,but it was not the only factor. When looking back at the court paintings of the Southern Song Dynasty, wecan see that in the process of historical transmission of paintings, different subjects such as creators, thepublic, and the cultural value system all resort to their cultural power to advocate, interact and blend,and participate in the generation of the meaning of paintings. The process presents three dimensions,and forms a cultural space with superimposed meanings from a deeper, wider, richer, and more complexlevel.The meaning of paintings also comes from the re-examination of the concept of work by us
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.222