山东鄄城土布工艺资源的文化资本转换  

Study on the Cultural Capital Transformation of Tubu Craft Resources in Juancheng,Shandong

作　　者：张爱红[1] ZHANG Ai-hong(School of Humanities and Arts,Shandong University of Arts and Design,Jinan 250014,China)

机构地区：[1]山东工艺美术学院人文艺术学院,济南250014

出　　处：《湖北第二师范学院学报》2023年第11期30-34,共5页Journal of Hubei University of Education

基　　金：国家社科基金艺术学项目“新时代中国工艺美术发展策略研究”(20ZD08)子课题“传统工艺美术生存环境与保护机制研究”;教育部人文社会科学研究项目“当代民间手工艺人的角色转型研究”(20YJC760125)。

摘　　要：以皮埃尔·布尔迪厄的文化资本论为理论基础,结合山东鄄城土布工艺的现代转换及当代发展,从工匠(身体化形态)、作品(客观化形态)、行业运营及管理(制度化形态)等三种文化资本形态详细陈述作为始终在社会生产中活动着的工艺文化资源向文化资本转化的可行性,并在此基础上考察工艺文化资本内在结构的运转机制,尝试厘清工艺文化资源生产与再生产过程中市场、政府以及艺人(从业者)的角色特征。Based on Pierre Bourdieu's theory of cultural capital,and in combination with the modern transformation and contemporary development of the Tubu craft in Juancheng,Shandong Province,this paper makes a detailed statement from three forms of cultural capital,namely,craftsman(physical form),work(objective form),and industry operation and management(institutionalized form),pointing out the feasibility of transforming craft cultural resources,which are always active in social production,into cultural capital.And on this basis,we will investigate the operation mechanism of the internal structure of the capital of arts and crafts culture,and try to clarify the role characteristics of the market,government and artists(practitioners)in the process of production and reproduction of arts and crafts cultural resources.

关 键 词：手工艺 文化资源 文化资本 场域 

分 类 号：G127[文化科学] F592[经济管理—旅游管理]