新时代中国画创作现状与趋势研究  

Research on the Status Quo and Trend of Chinese Painting Creation in the New Era

作　　者：傅怡静[1] Fu Yijing(Associate Researcher of China Literary and Art Review(CAFA)Base)

机构地区：[1]中国文艺评论(中央美术学院)基地

出　　处：《美术》2023年第12期58-65,共8页Art Magazine

基　　金：国家艺术基金青年艺术创作人才资助项目(文艺评论)《新“惑”新解:新时代中国画创作现状、问题与对策研究》(项目编号:2022-A-06-(143)-612)的阶段性研究成果。

摘　　要：根植于中华传统文化独特艺术表现方式的中国画,历经千年承传,走过20世纪的美术革命与自觉演进后,在21世纪仍焕发新机。本文从“中国画”“水墨”概念生成谈起,并沿着这两条脉络对新时代10年来中国画创作进行研究,走入美术现场、观看新时代中国画创作的3种潮流现象,深入分析新时代中国画艺术家的3条探索路径,直面多维语境下中国画的发展困惑,并进一步提出优化艺术的生存能力、内在的优化能力、场外的适应能力等三个方面的发展思路。The Chinese painting,a unique artistic expression of traditional Chinese culture,has been passed down for thousands of years and gone through the art revolution and evolution in the 20th Century.It is still vibrant in the 21st Century.This article starts from the concepts of“Chinese painting”and“ink”and studies the Chinese painting creation in the past 10 years from these two aspects.It analyzes three trends of Chinese painting creation in the new era by observing art scenes,discusses three ways of exploration for Chinese painting artists in the new era,deals with problems confronted by the development of Chinese painting in a multi-dimensional context,and puts forward three ways for development,including making art more resilient,improving its ability of self optimization,and enhancing its adaptability.

关 键 词：新时代 中国画 创作现状 发展趋势 

分 类 号：J212[艺术—美术]