鲁迅、赵树理与中国现代文学的现代性进程  

Lu Xun,Zhao Shuli and the Modernity Process of Modern Chinese Literature

作　　者：耿传明[1] Geng Chuanming(School of Literature,Nankai University,Tianjin 300071)

机构地区：[1]南开大学文学院,天津300071

出　　处：《长治学院学报》2023年第6期61-65,共5页Journal of Changzhi University

基　　金：国家社科基金项目“近现代以来文学中儒家士人形象嬗变与中国文学的现代性转型”(BEY108902)。

摘　　要：鲁迅和赵树理分别是中国现代文学不同发展阶段的领军人物,但二人在中国现代文学发展中都扮演了克里斯玛的形象。鲁迅是创世性的文化英雄,使得陷入困境的文化重新恢复了活力和创造性;赵树理是道德恒守者,弥合了传统美德和现代美德之间的罅隙。这种差异是源自于二人写作重心的差异,鲁迅坚持作者重心型写作,赵树理则恪守读者重心型写作。Lu Xun and Zhao Shuli have been the leading figures at different stages of the development of modern Chinese literature,and both play the role of Crisma in the development of modern Chinese literature.Lu Xun is a creative cultural hero who restored vitality and creativity to the struggling culture.Zhao Shuli is a moral defender,bridging the gap between traditional and modern virtues.This difference stems from the difference in writing focus between the two.Lu Xun adheres to the author-oriented writing,while Zhao Shuli to the reader.

关 键 词：鲁迅 赵树理 中国现代文学 现代性 

分 类 号：I206[文学—中国文学]