“龙门阵”里“摆”出的《死水微澜》  

Ripple on Stagnant Water Illustrated in a Manner of“Dragon Gate Formation”

作　　者：李直飞[1] Li Zhifei(School of Chinese Language and Literature,Yunnan Normal University,Kunming,Yunnan 650500)

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《成都大学学报（社会科学版）》2023年第6期75-86,共12页Journal of Chengdu University (Social Sciences)

摘　　要：李劼人自小受四川民间摆龙门阵文化的熏陶,熟谙摆龙门阵。在小说《死水微澜》中,李劼人形象生动地描绘了四川人摆龙门阵的具体过程,同时还向读者展示了摆龙门阵是如何影响主要人物的命运的。除此之外,李劼人还将摆龙门阵的叙述手法化用到《死水微澜》的写作里面。用说书人的口吻、“穷形尽相”的描写、叙述的自由穿插、幽默夸张的语言及川味方言等手法将《死水微澜》当作龙门阵“摆”了出来。李劼人欣赏四川的摆龙门阵文化,同时也感到摆龙门阵文化所带来的缺陷,因此在《死水微澜》的写作中通过条理分明的叙述、突出特性的描写避免缺陷,甚至也反思了摆龙门阵文化所带来的人格缺陷。但是,这种摆龙门阵式的写作依然给《死水微澜》带来了局限,游离于主题的细节描写、历史的碎片化叙述及超越性思考的欠缺是其中的主要表现。Li Jieren has been influenced by the folk culture of Dragon Gate Formation in Sichuan since childhood,and is familiar with it.In the novel Ripple on Stagnant Water,Li Jieren vividly depicts the specific process of Dragon Gate Formation,and also shows readers how the destiny of the main characters is affected by it.In addition,Li Jieren also incorporates the narrative technique of setting up a Dragon Gate Formation into the writing of Ripple on Stagnant Water.With the tone of the storyteller,the extremely graphic portrayal,the free interspersed narration,the humorous and exaggerated language and the Sichuan dialect,Ripple on Stagnant Water is illustrated in a manner of Dragon Gate Formation.Li Jieren appreciates the culture of Dragon Gate Formation,but also perceives its defects.Therefore in the writing of Ripple on Stagnant Water,he avoids the defects through the well-organized narrative and characterized descriptions,even reflects on the personality flaw brought about by the culture in further.However,this writing style still brings limitations to Ripple on Stagnant Water,which is mainly manifested in the detail description deviating from the theme,the fragmented narration of history and the lack of transcendent thinking.

关 键 词：摆龙门阵 李劼人 《死水微澜》 局限 

分 类 号：I207.42[文学—中国文学] H172.3[语言文字—汉语]