明式衣架类家具形态积累研究  

Research on the Form Accumulation of Ming-Style Clothes Rack Furniture

作　　者：成欣馨 袁进东[1] Cheng Xinxin;Yuan Jindong

机构地区：[1]中南林业科技大学家具与艺术设计学院,湖南长沙410004

出　　处：《家具与室内装饰》2023年第11期40-44,共5页Furniture & Interior Design

基　　金：湖南省社科基金一般项目(21YBA099);湖南省社科基金一般项目(21YBA097);湖南省教育厅科学研究项目(20A512)。

摘　　要：纵观已发展了数千年的中国传统家具,明式家具凭借自身独特的材料、结构及装饰,在全世界家具舞台上璀璨夺目。中国自古就有严格的礼仪制度,而衣冠又是等级地位的象征,故搭放衣物的衣架类家具在家具史中同样占据着重要位置。通过前代家具形态的不断积累与流变,使得明式衣架类家具形成。明式家具形态主要包括材料、结构以及装饰这三个方面。从这三个角度出发,运用对比分析法和归纳分析法,对明式衣架类家具形态进行分析和概括,探究明式衣架类家具形态的积累历程与文化底蕴,得出明式衣架类家具的材料形态由廉价变为贵重,结构形态由粗陋变为精巧,装饰形态由少变多的结论,并一直在创新与发展。Looking at the traditional Chinese furniture that has developed over thousands of years,Ming-style furniture shines brightly on the world's furniture stage with its unique materials,structure,and decoration.China has had a strict system of etiquette since ancient times,and clothing has been a symbol of rank and status.Therefore,clothes rack furniture,which is used for placing garments,also occupies an important position in the history of furniture.Through the continuous accumulation and evolution of forms from previous generations of furniture,Ming-style clothes rack furniture was formed.The form of Ming-style furniture mainly includes three aspects:materials,structure,and decoration.Starting from these three aspects,by using comparative and inductive analysis methods,the form of Ming-style clothes rack furniture is analyzed and summarized to explore the accumulative process and cultural connotations of its form.It is concluded that the material form of Ming-style clothes rack furniture has evolved from inexpensive to precious,the structural form has become more refined than rudimentary,and the decoration form has increased,continuously innovating and developing.

关 键 词：明式家具 衣架 形态 积累 

分 类 号：TS664.1[轻工技术与工程]