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作 者:萨茹拉[1] Saruul(School of Mongolian Studies,Inner Mongolia University,Hohhot 010021,China)
机构地区:[1]内蒙古大学蒙古学学院,内蒙古呼和浩特010021
出 处:《内蒙古民族大学学报(社会科学版)》2023年第5期84-89,共6页Journal of Inner Mongolia Minzu University:Social Sciences
摘 要:哈斯宝在《新译〈红楼梦〉》中提出了一套较为体系化的人物塑造理论。贾宝玉作为《红楼梦》的男性主要人物及哈斯宝《新译〈红楼梦〉》的叙事主线人物,其形象对整部作品的结构起着至关重要的作用。可以说,《新译〈红楼梦〉》中的贾宝玉形象集中而鲜明地体现了叙事主线人物的个性特征,哈斯宝给我们解构了一个极其结构性的贾宝玉。因此,对哈斯宝《新译〈红楼梦〉》评点中的贾宝玉形象进行深入分析,有助于我们更好地理解其所蕴含的丰富的艺术见解。Hasbuu puts forward a relatively systematic theory of characterization in his Newly Translated Version of the Dream of Red Chamber.As the main male figure of the Dream of Red Chamber and the main nar⁃rative character of Hasbuu’s Newly Translated version of the Dream of Red Chamber,Jia Baoyu’s image plays a vital role in the structure of the whole works.It can be said that the image of Jia Baoyu in the Newly Translated Version of the Dream of Red Chamber fully embodies the personality of the main characters in the narrative,and the structured Jia Baoyu has been well deconstructed.Therefore,an in-depth analysis of the image of Jia Baoyu in the comments of Hasbuu's New Translated Version of the Dream of Red Chamber will help us better under⁃stand the rich artistic insights.
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