“多言”与“沉默”——论《科利奥兰纳斯》多面向的政治哲学  

“Talkativeness”and“Silence”--On the Multidimensional Political Philosophy of Coriolanus

作　　者：滕芷萱 陈戎女[1] TENG Zhi-xuan;CHEN Rong-nv(School of Chinese Language and Literature,Beijing Language and Culture University,Beijing 10083,China)

机构地区：[1]北京语言大学文学院,北京100083

出　　处：《海南开放大学学报》2023年第4期46-52,共7页Journal of Hainan Open University

基　　金：2023年北京语言大学研究生创新基金(中央高校基本科研业务费专项资金)项目“莎士比亚《科利奥兰纳斯》的言语策略与政治蕴涵研究”(项目编号:23YCX166)。

摘　　要：莎士比亚将罗马名人科利奥兰纳斯的故事改编为同名悲剧的过程中,着重书写了戏剧人物的言语与政治的互动关系,并融入了自己的政治哲思。罗马在战争与和平之间徘徊,正如主人公科利奥兰纳斯在多言与沉默间转换。科利奥兰纳斯语言风格的三次转变蕴含了莎士比亚的政治哲学思考,“雄辩”式的军事语言包含了对民主政治的非难,“自白”的语言试图剖析贵族政治和理想君主的特质,言语的“沉默”最终指向了莎士比亚的政治理想及其幻灭。In the process of adapting the story of the Roman celebrity Coriolanus into a tragedy of the same name,Shakespeare focused on the complex interaction between the language of the dramatic characters and politics,expressed his political philosophy by means of words.Rome wanders between war and peace,just like the protagonist Coriolanus transitions between talkativeness and silence.The three changes in the language style of Coriolanus embody Shakespeare's political philosophy thinking,the"eloquent"military language contains criticism of democratic politics,the"confession"language attempts to analyze the characteristics of aristocratic politics and ideal monarchs,and the"silence"of language ultimately points to Shakespeare's political ideals and their disillusionment.

关 键 词：科利奥兰纳斯 莎士比亚 罗马剧 悲剧 政治哲学 

分 类 号：I561.073[文学—其他各国文学]