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作 者:王琳琳 Wang Linlin(School of Foreign Studies,Shandong University of Finance and Economics,Jinan,shandong 250014,China)
机构地区:[1]山东财经大学外国语学院,山东济南250014
出 处:《河北工业大学学报(社会科学版)》2023年第4期39-44,55,共7页Journal of Hebei University of Technology:Social Sciences Edition
基 金:山东省社科规划项目(21CWWJ04)的阶段性成果。
摘 要:20世纪70年代中后期以来,彼得·汉德克的文学创作整体上呈现出一种归返自然、面向日常世界的交往对话式姿态。这种主体间的交互展现了人与世界间一场彼此开放、亲密无间的“我—你”相遇,而主体间内在的意向性关联又构成了超越论现象学中作为意义与价值生成机制和原初场域的“意向共同体”。“相遇意向共同体”实现过程中展现的聚焦“现时”的本真存在体验既是作品人物克服存在焦虑的可能途径,也是作家自身摆脱心灵困境,与理想自我及读者交互的媒介。这使作家的文本及创作行为呈现出现代性批判和关怀自我、塑造伦理主体的多重意涵。Since the mid-late 1970s,Peter Handke′s works as a whole show the tendency of returning to nature and a dialogical engagement with everyday life.This inter-subjective interaction reveals a mutually open and intimate"I-Thou"encounter between humans and the world.Consequently,the inner intentional connection in the interaction between subjects constitutes an"intentional community"in the sense of transcendental phenomenology,which is taken as the mechanism and original field for generating meaning and value.The experience of focusing on the present moment revealed in the"intentional community of encounter"provides a possible means for the characters in Handke′s works to overcome existential anxiety,and it is also a medium for the author to free himself from his own spiritual dilemma and to interact with his ideal self and readers.Thus,Handke′s works and his creative acts contain the multiple implications of modernity critique,self-concern as well as shaping the ethical subject.
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