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作 者:师玉瑶 SHI Yuyao(School of Humanities,Shaanxi University of Technology,Hanzhong 723000,China)
出 处:《四川职业技术学院学报》2023年第6期106-112,共7页Journal of Sichuan Vocational and Technical College
摘 要:曹禺的《雷雨》作为一部既具有可读性又具有表演性的剧本,以触及天地的视野和现实主义题材探究生命存在的奥秘,文本内涵丰富、情节交错并蕴含着宿命观。文章运用当下国内新型文本细读的批评方法对具体的台词、情境、角色书写等要素进行细读,发现曹禺一方面通过这些要素具体书写着“命运”的主题,另一方面也将自己的创作心理与社会背景融入文本,更增强了作品的宿命意识。在文本细读视角的整体观照下,宿命意识这一短语的属性已经逐渐从名词性过渡到动词性。它不仅是文本表现出来的某个观念,更是文本机制的重要组成部分,并且发挥着增强悲剧美感、扩大文本张力的重要功能。Cao Yu's Thunderstorm,as a readable and performance play,explores the mystery of life's existence with a vision of heaven and earth and realistic themes.The text is rich in connotation,interlaced in plot and contains fatalistic view.The article uses the criticism method of current domestic new type of text close reading to carefully read specific elements such as lines,situations,and character writing.It is found that Cao Yu,on the one hand,uses these elements to specifically write the theme of"fate",and on the other hand,integrates his creative psychology and social background into the text to further enhance the fatalistic consciousness of the work.Under the overall consideration of the perspective of close reading,the attribute of the phrase has gradually changed from noun to verb.It is not only a certain idea expressed in the text,but also an important part of the text mechanism,and plays an important role in enhancing the aesthetic sense of tragedy and enlarging the tension of the text.
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