从“创作动机”角度初探中国原创音乐剧作品的特点——以《金沙》《蝶》《钢的琴》为例  

On the Characteristics of Chinese Original Musical Works from the Angle of“Creative Motivation”:Taking Jinsha,Butterfly and the Piano in a Factory as Examples

作　　者：杜昊璘 Du Haolin(Creative College of Beijing Dance Academy)

机构地区：[1]北京舞蹈学院创意学院

出　　处：《中国舞蹈学》2023年第2期312-320,361,362,共11页CHOREOLOGY IN CHINA

摘　　要：中国原创音乐剧从21世纪初逐渐成形,而蒙古族作曲家三宝是最初的领路人,他用近十年的时间来完成对原创音乐剧的探索,更是编创出诸多敲击人心的旋律。本文尝试结合舞台美术设计,从专业视角对《金沙》、《蝶》和《钢的琴》三部颇具代表性、典型性的作品进行艺术理念与舞台设计运用方面的初探,试图挖掘艺术家创作背后所蕴含的创新观念和思想性。The original Chinese musical has gradually taken shape since the beginning of this century,and the Mongolian composer Sanbao is the initial leader.He spent nearly ten years to complete the exploration of the original musical,but also created a lot of melody striking people’s heart.This paper attempts to analyze the artistic concept and design style of three representative works,namely Jinsha,Butterfly and The Piano in a Factory,from the perspective of this profession,attempting to dig out the core concept of creation behind them.

关 键 词：中国原创音乐剧 《金沙》 《蝶》 《钢的琴》 创新观念 舞台设计 

分 类 号：G63[文化科学—教育学]