颠覆与解构——后现代主义散文的艺术特征  

Subversion and Deconstruction:Artistic Characteristics of Postmodernist Prose

作　　者：陈亚丽[1] CHEN Yali(School of Liberal Arts,Capital Normal University,Beijing 10089)

机构地区：[1]首都师范大学文学院,北京100089

出　　处：《绍兴文理学院学报》2023年第11期66-75,共10页Journal of Shaoxing University

基　　金：国家社科基金项目“当代散文理论的建构研究”(15BZW179)。

摘　　要：后现代主义散文与传统散文相比呈现出全方位的“特异性”。对意义中心的消解,使其呈现出“去中心”而聚焦细节的特征;游戏的态度,甚至覆盖对历史的再现方式,促使这些作家特别青睐反讽、谐谑等手段;这些作家一反传统散文“单弦”思维的模式,他们的思维在哲学与历史,甚至多种学科之间的多种维度上“俯仰自如”;他们并不认同传统的线性时间观,他们认为时间是可逆的,而且认为时间可以穿越、倒退,甚至可以静止(凝固)。后现代主义散文忠实记录了作者隐晦的深邃思想,是“碎片”化的,同时也是智慧的。Compared with traditional prose,postmodern prose presents an all-round“specificity”.The deconcentration of the meaning center entitles it with the characteristics of“decentralizing”and focusing on details;the playful attitude even covers the representation of history,which lends these writers to particularly favor irony,banter and other means;these writers,contrary to the“single string”thinking mode of traditional prose,“never constrain”their thinking in one dimension;rather they free it among philosophy and history,and even multiple disciplines.They do not agree with the traditional linear view of time.They believe that time is reversible,and that time can be passed through,go backwards,or even remain static(frozen).Postmodernist prose faithfully records the author’s obscure and profound thoughts,which are both“fragmented”and full of wisdom.

关 键 词：“碎片”化 “游戏”的态度 思维的多重性 全新的时间观 

分 类 号：I207.67[文学—中国文学]