创制、凝视与在场:20世纪50年代以来云南白族民歌研究的阶段特征  

Creation,Gaze and Presence:Stage Characteristics of Bai Folk Song Study in Yunnan Province since the 1950s

作　　者：曹琳 CAO Lin(School of Literature,Dali University,Dali,Yunnan Province 671000;School of Chinese Language and Literature,Yunnan University,Kunming,Yunnan Province 650000)

机构地区：[1]大理大学文学院,云南大理671000 [2]云南大学文学院,云南昆明650000

出　　处：《楚雄师范学院学报》2023年第6期44-50,共7页Journal of Chuxiong Normal University

基　　金：国家社会科学基金冷门“绝学”专项项目“白族大本曲曲目搜集与整理研究”(2018VJX053)。

摘　　要：20世纪50年代以来的云南白族民歌研究既与特殊的历史机缘、扎实的田野实践以及特定历史时期的文艺方针、国家导向密切相关,又与研究视野的转换紧密相连,忠实原境和还原情境逐渐成为21世纪云南白族民歌研究的话语导向。云南白族民歌研究也从材料积累向理论创新、集体创制向个性化阐释、文献文本向境域化方向突进,在此基础上,梳理和归纳云南白族民歌各阶段的研究态势和样貌,成为我们理解云南白族民歌的内在肌理和探析云南少数民族民歌研究新路向的关键。Since the 1950s,study of Bai folk songs in Yunnan Province has been closely related to special historical opportunities,solid field practice as well as policies and guidance of the state regarding literature and art at certain historical moments on the one hand,and to shifts of academic perspectives and the discourse direction characterized by a gradual shift from faithfulness to the original situation to reproduction of the original situation in study of Bai folk songs in Yunnan Province in the 21st century on the other.Meanwhile this study is undergoing a number of shifts:from material accumulation to theoretic innovation,from collective creation to individual interpretation,and from text to contextualization.As a result,sorting and categorizing study status of Bai folk songs in Yunnan Province at different stages become the key to understanding the inner fabric of Bai folk songs and even minority ethnic groups of Yunnan Province in general.

关 键 词：云南白族民歌 场域 生活情境 

分 类 号：I207.7[文学—中国文学]