明清晋中宗祠砖雕艺术特征在现代设计中的应用  

The Application of the Artistic Features of Brick Carving in Jinzhong Ancestral Temple during the Ming and Qing Dynasties in Modern Design

作　　者：韩瑞婷[1] 武鑫 HAN Ruiting;WU Xin(Yuncheng University,Yuncheng,Shanxi,044000)

机构地区：[1]山西运城学院,山西运城044000

出　　处：《湖南包装》2023年第6期77-79,84,共4页

基　　金：运城学院博士科研启动项目研究成果(YQ-2022015)。

摘　　要：明清晋中宗祠砖雕艺术既具有文化属性和纪念意义,也提高了宗族成员间的向心力。砖雕艺术体现了家族关系对礼教的重视,也通过艺术符号之美传达出对生活的寄托。山西明清时期的民居大院砖雕数量多、种类多,具有浓郁的文化气息,彰显了艺术传承的特色之美。砖雕被用在宗祠不同位置进行装饰,最主要的是在屋顶和墙体,整齐有序的摆放、精致的雕刻表现出规范性秩序与庄严的风格,为建筑赋予了艺术特征和文化价值,为这一艺术形式在现代设计中的运用奠定了基础。The brick carving art of the Jinzhong Ancestral Temple in the Ming and Qing dynasties not only had cultural attributes and commemorative significance,but also enhanced the centripetal force among clan members.The art of brick carving reflects the importance of family relationships on ethics,and also conveys a sense of trust in life through the beauty of artistic symbols.During the Ming and Qing dynasties in Shanxi,there were a large number and variety of brick carvings in residential courtyards,which had a strong cultural atmosphere and demonstrated the unique beauty of artistic inheritance.Brick carvings are used for decoration in different locations of ancestral temples,mainly on the roof and walls.They are neatly arranged and exquisitely carved to demonstrate a standardized order and solemn style,endowing the architecture with artistic characteristics and cultural value,laying the foundation for the application of this art form in modern design.

关 键 词：明清时期 晋中宗祠 砖雕艺术 现代设计 

分 类 号：TU-852[艺术—艺术设计] J314.9[建筑科学—建筑设计及理论] J505