物质载体与意涵塑造——从纳粮收租图看汉晋艺术中的跨媒介交互  

Media Transfer and the Facilitation of Funerary Functions:The Grain-Tax Collection Image in Han-Jin Art

作　　者：王方晗 Wang Fanghan

机构地区：[1]山东大学文化遗产研究院

出　　处：《艺术设计研究》2023年第6期106-112,共7页Art & Design Research

基　　金：山东省社会科学规划研究项目“黄河中下游地区汉代农业图像与农耕文明的美术考古研究”(项目编号:22DKGJ02)的阶段性成果。

摘　　要：描绘地主庄园中收取田租、纳粮入仓场景的纳粮收租图是汉晋艺术中跨媒介交互的突出体现,在图像生成中整合了画像、现实场景、地上建筑和模型明器等多重视觉资源,也在画像石、明器、壁画和画像砖等物质载体中流转。汉晋时人利用媒介自身的特性配合纳粮收租这一主题,将图像塑造为汉晋丧葬观念下死后需求的物化和身份地位的象征。特定艺术主题在不同物质载体间的转换及表现形式的变迁,凸显出中国古代各艺术门类之间及其与社会因素之间的复杂互动。The image of grain-tax collection,a popular motif in the art of Han and Jin dynasties,exemplified trans-media interaction in Han-Jin Chinese art,which was inspired by multiple visual resources,such as pictorial art,real-life scenes,architecture,and miniature models,and was also transformed between various media,such as stone relief,models,murals,and pictorial bricks.The characteristics of each medium was utilized to help constructing the grain collection scene as afterlife sustenance and an embodiment of social statues.By analyzing the specific motif of grain collection,this article investigates issue of media transfer to reveal the interaction between different categories of art in ancient China,and to demonstrate the complexity between art production and funerary practices.

关 键 词：纳粮收租 跨媒介交互 丧葬观念 物质载体 汉晋艺术 

分 类 号：J18[艺术—艺术理论]