方文山歌词语言修辞举隅  

The Rhetoric of Fang Wenshan's Lyric Language Art

作　　者：乔月 QIAO Yue(College of Literature,Huhhot Minzu College,Huhhot Inner Mongolia,010051,China)

机构地区：[1]呼和浩特民族学院文学院,内蒙古呼和浩特010051

出　　处：《文化创新比较研究》2023年第33期29-34,共6页Comparative Study of Cultural Innovation

基　　金：呼和浩特民族学院校级科研项目“方文山歌词语言艺术及文化内涵研究”(项目编号:MZXYYB202303)。

摘　　要：歌词作为歌曲的重要组成部分,是一种特殊的修辞文本。方文山的歌词,具有深刻的意境、生动的语言、鲜明的形象,使听众产生丰富的想象,他的歌词和周杰伦的曲调、唱腔一起创造出了中国音乐史的传奇。歌词是自然语言的艺术化,方文山的歌词,突破了传统的写歌模式,“用写诗的方法来创作歌词”。在创作歌词的过程中,运用了多种艺术手法,最重要的特点就是修辞手段的充分运用。王希杰在《汉语修辞学》中将修辞格归类为几种,即语言的均衡、语言的变化、语言的侧重、语言的联系四种,该文借用修辞理论来解析方文山歌词中的修辞现象。Lyrics,as an important component of a song,are a special rhetorical text.Fang Wenshan's lyrics have a profound artistic conception,vivid language,and vivid imagery,which evoke rich imagination in the audience.His lyrics,along with Jay Chou's melody and singing style,have created a legend in the history of Chinese music.Lyrics are the artistic expression of natural language,and Fang Wenshan's lyrics break through the traditional mode of writing songs by using the method of writing poetry to create lyrics.In the process of creating lyrics,various artistic techniques are used,and the most important feature is the full use of rhetorical devices.In Chinese Rhetoric,Wang Xijie classified rhetorical devices into four types:language balance,language change,language emphasis,and language connection.This article uses rhetorical theories to analyze the rhetorical phenomena in Fang Wenshan's lyrics.

关 键 词：方文山 歌词语言 修辞手法 语言的联系 语言的侧重 语言的均衡 语言的变化 

分 类 号：J614.91[艺术—音乐]