“莎乐美”与中国现代唯美主义文艺思潮  

"Salome"and the Ideological Trend of Aestheticism of Modern Literatureand Art in China

作　　者：付建舟 FU Jianzhou

机构地区：[1]浙江工商大学文学与传播学院

出　　处：《社会科学》2023年第12期76-89,150,共15页Journal of Social Sciences

基　　金：国家社会科学基金后期重点项目“中国现代社团‘文学丛书’叙录”(项目编号:21FZWA001)的阶段性成果。

摘　　要：王尔德的剧本《莎乐美》是唯美主义的代表作,自田汉译本问世以后,多种译本相继出版,掀起了中国现代文艺的唯美主义思潮。在这个大潮中,我国学术界的引进和介绍,是“小众”层面的精深输入,华美、艳美、秀美的舞台传播,优美、畸美、至美的杂志传播,奇美、华美、艳美的银幕传播,是“大众”层面的普及推广,二者共同推进这股思潮。《莎乐美》及“莎乐美”的在华传播,不合社会政治的“大势”,却甚合民众心理的“小势”,这就是它在20世纪上半叶的数十年间在华不断传播的根本原因,也是中国现代文艺的唯美主义思潮波澜起伏的根本原因。Salome,a script by Wild,is representative of aestheticism.After being translated by Tian Han,a lot of other versions came out in succession,starting an ideological trend of aestheticism of modern literature and art in China.The trend is pushed forward by two forces.One is niche-oriented,with the precise and profound introduction in the Chinese academic world;the other is mass-oriented,with the popularization and promotion through the media of stages-presenting the gorgeous,glamour and elegant beauty,magazines-showing the normal,malformed,and extreme beauty,as well as screens-displaying the legendary,gorgeous,and glamour beauty.The spread of Salome and"Salome"in China may not be well-suited to the social politics of"main trend",but it is in accordance with the"marginal trend"of the people's psychology,which is the fundamental reason of its unceasing spread in China and its great impact on Chinese aestheticism of modern literature and art.

关 键 词：《莎乐美》 “莎乐美” 中国现代文艺 唯美主义思潮 

分 类 号：I206.5[文学—中国文学]