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作 者:张福海[1] Zhang Fuhai(Shanghai Theatre Academy,Shanghai,200040)
机构地区:[1]上海戏剧学院,上海200040
出 处:《民族艺术研究》2023年第6期5-15,共11页Ethnic Art Studies
基 金:国家社科基金艺术学重大项目“新中国成立70周年中国戏曲史(黑龙江卷)”(项目批准号:18ZD10)的阶段性研究成果。
摘 要:中国戏剧历史是由古典戏剧、近代戏剧和现代主义戏剧三个历史时期构成的。1902年是近代戏剧的开端,而非古典戏剧的终结,20世纪末古典戏剧在新的世纪转换为新的身份赖以存在下去;近代戏剧史是向现代戏剧史过渡的阶段,历经海派京剧、国剧运动、延安京剧改革等各个不同阶段,至20世纪80年代中国戏剧因变革的要求而产生持久性的深重危机,重建再造中囯戏剧,实现中国戏剧的现代性遂成为中国戏剧的必由之路。The history of Chinese drama consists of three historical periods:classical drama,modern drama and modernist drama.And 1902 was the beginning of modern theatre,not the end of classical theatre.At the end of the 20th century,classical drama transformed into a new identity in the new century.The history of modern drama is a transitional stage to the history of modern drama,which gone through various stages such as Shanghai Peking Opera,national opera movement,and Yan'an Peking Opera reform.However,Chinese drama was in a deep and lasting crisis in the 1980s because of the demand for change.Therefore,rebuilding Chinese drama and realizing the modernity of Chinese drama became the only way for the development of Chinese drama.
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