建筑类型学中的文脉图像到抽象几何表现——以阿尔多·罗西绘画中的图像类比为例  

From Context Image to Abstract Geometric Expression in Architectural Typology:A Case of the Image Analogy in Aldo Rossi’s Paintings

作　　者：陈倩 Chen Qian

机构地区：[1]广州美术学院建筑艺术设计学院

出　　处：《城市建筑》2023年第23期218-220,共3页Urbanism and Architecture

摘　　要：文章对建筑类型学的形成及发展进行简单归纳,从文艺复兴时期到现代主义后的新理性主义,建筑类型学理论在阿尔多·罗西的探究发展中达到成熟。现代建筑类型学是立足于欧洲历史文脉,进行抽象提取“原型”的设计思考方式。通过分析罗西绘画作品中的历史与抽象特征,分析其绘画中运用类比的创作手法,进而以罗西的圣卡塔尔多墓地为例探讨在抽象中再现历史的类型学空间。This paper briefly summarizes the formation and development of architectural typology.From the Renaissance to the New Rationalism after modernism,the theory of architectural typology has reached maturity in the exploration and development of Aldo Rossi.Modern architectural typology is a design thinking mode based on European historical context and abstracting“prototype”.This paper analyzes the historical and abstract characteristics of Rossi’s paintings,and analyzes the creative techniques of analogy in his paintings.Then,taking San Cataldo cemetery of Rossi as an example,this paper discusses the typological space of reappearing history in abstraction.

关 键 词：建筑类型学 阿尔多·罗西 绘画 图像类比 

分 类 号：TU-86[艺术—艺术设计]