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作 者:雷恩海[1,2] 田竞[2] LEI En-hai;TIAN Jing(Research Center for Sinology;School of Chinese Language and Literature,Lanzhou University,Lanzhou 730000,China)
机构地区:[1]兰州大学国学研究中心 [2]兰州大学文学院,甘肃兰州730000
出 处:《兰州大学学报(社会科学版)》2023年第6期106-119,共14页Journal of Lanzhou University(Social Sciences)
基 金:甘肃省高等学校产业支撑计划“陇右文献、文化遗存与甘肃文化建设研究”(2022CYZC-09)。
摘 要:严羽《沧浪诗话》乃诗论名著,事实上深受《文心雕龙》之影响,其结构、体制与论诗主旨,一脉相承。《诗辨》即《文心雕龙》之“文之枢纽”,《诗体》即“论文叙笔”,《诗法》与《诗评》即“剖情析采”,《考证》即《时序》至《程器》五篇的杂论补充,而《答出继叔临安吴景仙书》实乃《序志》。如此,《沧浪诗话》则事实上构成了一个有意味的结构形式,其具体论述,也效法学习,体大虑周,折衷群言,深于诗学之理,由资闲谈的随笔式札记转变为比较有理论体系的诗学专著。《沧浪诗话》理论体系严密,努力解决古典诗学“什么是诗”这一根本性问题,彰显其理论内涵以及对唐风宋调不同特质的体认,以盛唐诗为典范,不仅重其风格,亦重其精神与思想内容,是对古典诗歌发展所做的理论上的反拨,以一个新的视阈探讨宋诗发展之路,寄予热切的期望。Written by Yan Yu,the masterpiece of poetics Canglang’s Notes on Poetry and Poets was greatly influenced by The Literary Mind and the Carving of Dragons in its structure,style,and gist.The piece Views on Poetry in the former is alike to those viewed as“the hub of writing”in the latter;Poetry Genres,resembles the pieces about“poetic genres”;the two pieces Poetry Writing Methods and Poetry Reviews are similar to those about“emotions and techniques”;Letter to Wu Jingxian in Linan has the same function as Preface;Poetry Textual Research is more like miscellaneous discussions supplementary to the pieces including Literary Development and Measurement of Literary Men’s Quality.With a special structure,it delves into poetics through detailed,comprehensive and inclusive argumentations,hence a poetic monograph of note-style essays.Based on a well-organized theoretical system,it aims to answer the fundamental question in classic poetics—“What is poetry?”,reflecting its theoretical connotation and cognition on the attributes of the Tang and Song poetry.On the one hand,it takes the Tang poetry as a model in style and spirit,which is a theoretical reform of the classic poetry;on the other,it explores and places great expectations on the Song poetry development under a new vision.
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