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作 者:霍明宇[1] Huo Mingyu(Chinese Culture Research Institute,Chinese National Academy of Arts,Beijing 100029)
机构地区:[1]中国艺术研究院中国文化研究所,北京100029
出 处:《西部学刊》2024年第2期169-172,共4页Journal of Western
摘 要:“闺思”是历代抒情文学中十分常见的母题,而比之《诗经》、汉乐府等其他文体,在唐宋令词中,这类题材的作品往往以丰富的象征和隐喻独具特色。借助女性和爱情的描摹,“闺思”小令的抒情主体呈现出符号化的特征,抒情方式蒙眬模糊、不宜指实,从而引发读者产生超越文本本身的更为自由的联想,融合着自身的生命体验,获得深沉的反思和感悟。“Lovesickness”is a very common motif in lyrical literature throughout history and compared to other literary genres such as the The Book of Songs and Yuefu Poems,in the Tang and Song Dynasty lyrics,this kind of theme often have unique characteristics with rich symbols and metaphors.With the help of the depiction of women and love,the lyrical subject of Xiaoling“lovesickness”presents a symbolic feature with a vague and inappropriate way of expressing emotions which triggers readers to have more free associations beyond the text itself,integrating their own life experiences and obtaining deep reflection and insights.
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