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作 者:何冰洁 HE Bingjie(School of Foreign Languages,Chinese Academy of Social Sciences University,102400,Beijing,China)
机构地区:[1]中国社会科学院大学外国语学院,北京102400
出 处:《北方工业大学学报》2023年第4期41-49,共9页Journal of North China University of Technology
基 金:国家社会科学基金重大项目“‘东方学’体系建构与中国的东方学研究”(14ZDB083)。
摘 要:明治科学小说中出现了不少有关“末日”的叙述,这与现代天文学新发现、人们对未来的恐慌有关。在追求“科学”与“进步”的明治日本,“末日主题”科学小说的登场似乎有违时代潮流之嫌。然而,交织着传统与现代、进步与衰颓的末日叙事正是“世纪末”思潮的真实反映。日本在明治30年代以后兴起“世纪末”思潮,是文学界对于革新的时代要求的回应。“世纪末”颓废倾向的深层潜藏着对革新的期待,标志着在逐步走近现代文明、完成产业革命的日本,出现了反对现代化、否定功利主义的质疑之声。There are many narratives about the“end of the day”in Meiji science novels,which are related to new discoveries in modern astronomy and people's fear of the unknown.In Meiji Japan,which pursues“science”and“progress”,the appearance of“apocalyptic theme”science novels seems to be against the trend of the times.However,the apocalyptic narrative,intertwined with tradition and modernity,progress and decline,is a true reflection of the“end of the century”trend.The rise of the“end of the century”trend in Japan after the Meiji 1930s was a response from the literary community to the demands of the revolutionary era at that time.The deep underlying decadence of the“end of the century”trend is the expectation for innovation,marking the emergence of questioning voices opposing modernization and denying utilitarianism in Japan,which has gradually achieved civilization and completed the industrial revolution.
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