论《苏尔诗海》中的印度民间话语建构——以“乌陀送信”组诗考察为例  

On the Construction of Folk Discourse in Early Modern India’s Bhakti Poetry:A Case Study of the Group of Poems Entitled Uddhav Sandesh in the Sūrsāgar

作　　者：王靖 WANG Jing(Center for Studies of Eastern Literature,Peking University,100871,Beijing,China;School of Foreign Languages,Peking University,100871,Beijing,China)

机构地区：[1]北京大学东方文学研究中心,北京100871 [2]北京大学外国语学院,北京100871

出　　处：《北方工业大学学报》2023年第5期36-42,共7页Journal of North China University of Technology

基　　金：教育部人文社会科学研究青年基金项目“印度‘早期现代’黑天文学研究”(19YJC752030)。

摘　　要：《苏尔诗海》是一部起源于中世纪印度民间的黑天派虔诚文学经典。以《苏尔诗海》“乌陀送信”组诗为例,考察该组诗中所凸显的民间话语对精英话语的挑战,即民间信仰话语对婆罗门知识精英话语的消解和重构过程,可以发现印度民间信仰话语形式和内涵的确立途径以及印度民间文学所承载的民间话语和精英话语在文化权力层面的互动与博弈。The bhakti literary classic text Sūrsāgar in early modern India is originated from the folk literature related to the Krishna bhakti.Taking the group of poems entitled Uddhav Sandesh in the Sūrsāgar as an example,this paper examines the challenge of folk discourse to elite discourse highlighted in this group of poems,that is,through the investigation of the process of dissolving and reconstructing the discourse of the Brahmin intellectual elite by the discourse of folk beliefs,we can find the way to establish the form and connotation of Indian folk discourse,as well as the interaction between folk discourse and elite discourse carried by Indian folk literature at the level of cultural power.

关 键 词：印度文学 《苏尔诗海》 民间话语 婆罗门 话语权 

分 类 号：I106.7[文学—世界文学]