元好问“野史亭”文化意蕴考论  

Yuan Haowen's“Yeshi Pavilion”Cultural Implications

作　　者：张静 ZHANG Jing(Literature School,Nanjing University of Information Science and Technology,210044,NanJing,China)

机构地区：[1]南京信息工程大学文学院,南京210044

出　　处：《北方工业大学学报》2023年第5期89-95,共7页Journal of North China University of Technology

基　　金：教育部人文社会科学规划研究基金项目“元好问《中州集》点校笺释”(14YJA751034)。

摘　　要：“野史亭”是元好问存放史料之处、撰修史书之所,是元好问修史、著书的见证。这一词语在元好问诗中三出,经元代郝经写入元好问墓志、脱脱引入《金史》本传后,频繁出现在明清文人的诗歌中。在历代文人的不断吟咏中,这一意象被赋予多种意蕴,逐渐演化成修史著书、保存文化、选诗论人、评品诗文的文化符号;最后上升为一种精神,一个象征,成为以保存传承人类文化为己任的使命感与责任感、责无旁贷、忍辱负重、坚持不懈的代名词,作为一个具有丰富内涵的文化意象,进入中国古典诗歌的话语体系中。The“Yeshi Pavilion”is the place where Yuan Haowen stores historical materials and compiles historical books,and it is the witness of Yuan Haowen's history revision and writing.This phrase appears three times in Yuan Haowen s poems,and after Hao Jing of the Yuan Dynasty wrote Yuan Haowen's epitaph and was introduced into the“Jin History”biography,it frequently appeared in the poems of the literati of the Ming and Qing dynasties.In the continuous chanting of literati in the past dynasties,this image has been endowed with a variety of meanings,and has gradually evolved into a cultural symbol of revising history and writing,preserving culture,selecting poems and commenting on people,and evaluating poems.In the end,it has risen to a spirit,a symbol,and has become synonymous with a sense of mission and responsibility,an unshirkable responsibility,a burden of endurance and perseverance,and a cultural image with rich connotations into the discourse system of classical Chinese poetry.

关 键 词：“野史亭” 元好问 时空维度 史传定型 文化符号 精神象征 

分 类 号：I209[文学—中国文学]