论宇文所安唐诗史书写中的“文化唐朝”  

The Cultural Tang in Stephen Owen’s Writing of the History of Tang Poetry

作　　者：高超[1] GAO Chao(College of Chinese Language and Literature,Shanxi Normal University,030031,Taiyuan,China)

机构地区：[1]山西师范大学文学院,太原030031

出　　处：《北方工业大学学报》2023年第5期151-156,共6页Journal of North China University of Technology

基　　金：国家社会科学基金后期资助项目“宇文所安的唐诗翻译及唐诗史书写研究”(14FWW006)。

摘　　要：宇文所安在唐诗史书写中的“文化唐朝”既富有历史感地呈现了初唐“宫廷诗”所展示宫廷文化的演进轨迹,肯定了初唐诗在唐诗史的发展历程中承前启后、继往开来的历史作用,还通过盛唐“京城诗”的视角极具形象地描摹了盛唐诗中所展现的京城文化变迁,客观地揭示出博大宏阔的盛唐气象是由王维为代表的京城诗人群体和以李白、杜甫为代表的京城外部诗人共同创造出来的历史样貌。“The Cultural Tang”in Stephen Owen’s Writing of the History of Tang Poetry not only historically presents the evolution route of palace culture in the court poetry of the Early Tang Poetry,and affirms the historical role for serving as a link between past and present of early Tang poetry in the development of Tang poetry history,but also vividly depicts the cultural changes of the capital in the poems of the Tang Dynasty through the perspective of Capital Poetry in the High Tang Dynasty,and objectively reveals the historical truth about the magnificent atmosphere of the High Tang Dynasty created together by the representative capital poet WANG Wei and the representative outsiders LI Bai and DU Fu and others.

关 键 词：宇文所安 唐诗史 书写 “文化唐朝” 宫廷诗 京城诗 

分 类 号：J821[艺术—戏剧戏曲]