概念、方法与路径:艺术赋能乡村的三个基本问题  

Concept,Method and Path:Three Basic Issues Concerning Empowering Rural Areas with Art

作　　者：张颖[1] Zhang Ying(Center of Chinese Art Heritage Studies,Sichuan Fine Arts Institute)

机构地区：[1]四川美术学院中国艺术遗产研究中心

出　　处：《美术》2024年第1期6-15,共10页Art Magazine

基　　金：国家社科基金艺术学项目《乡村建设设计伦理问题及策略研究》(项目编号:21EG213)的阶段性研究成果。

摘　　要：“艺术赋能乡村”是中国当下乡村振兴事业中的热词,也是艺术家实施乡村艺术项目的首选口号。然而,通观学界先行研究,却始终未对这一论题的理论来源、逻辑理路和实践基础加以探究。本文以递进的方式讨论三个基本问题:“赋能说”的原义与演化、“艺术赋能”行动的方法与路径、“艺术赋能乡村”的文脉与旨归,并力求通过理论线索的梳爬,推动该论域的批判性及创新性思考。"Empowering rural areas with art"is now a buzzword in China's efforts to realize rural revitalization,and also a prioritized slogan when artists implement rural art projects.However,across pioneering research in the academic community,no efforts have been made to explore the theoretical origin,logic and practical basis of this topic.This article discusses three basic issues in a progressive manner:the original meaning and evolution of the“empowerment theory",the methods and paths of“art empowerment"actions,and the context and purpose of“empowering rural areas with art",and strives to encourage critical and innovative thinking in this fieldby combingthroughtheories.

关 键 词：赋能 乡村振兴 艺术乡建 中国式现代化 

分 类 号：J124[艺术—艺术理论]