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作 者:王华宝[1] WANG Huabao(School of Humanities,Southeast University,Nanjing 210096,China)
出 处:《信阳师范学院学报(哲学社会科学版)》2024年第1期5-10,共6页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
基 金:国家社科基金一般项目(18BZS013)。
摘 要:汉代张骞的人物形象既有早期正史文本的历史书写,如《史记》“持汉节不失”的“博望侯”,《汉书》“博望杖节,收功大夏”,主体为使臣形象;也有历代文学作品对其形象的塑造,其中不乏归功思维的附会之说;还有历史书写与文学传说、宗教传播、文化归因的交融再生等,形成物种引进者、仙家神人等众多糅合再造的形象。人们将各自独特的生命体验注入张骞形象之中,用不同的形式书写着自己心中的历史,生成了不同的新文本、新形象,有着极高的认知价值。对张骞功业的认知和形象接受,最核心的内容是“凿空”西域、开辟丝绸之路。张骞作为一名体现中华民族精神的楷模,文明互鉴的开拓者之一,必然成为一个永远说不完的中外文化交流的精彩故事。In the Han Dynasty,ZHANG Qian's historical narrative is found in early official historical texts,such as The Historical Records describing him as the “Bo Wang Marquis”who “upheld the principles of the Han dynasty without wavering”,and in The History of Han Dynasty portraying him as the envoy who “upheld the principles,completed achievements in the vast land of the Western Region”.ZHANG Qian's image is not only shaped by the historical accounts but also by various literary works over the ages.The shaping involves associative thinking,blending with historical writing,literary legends,religious dissemination,and cultural attributions.This has resulted in a multifaceted reconstructed image that includes elements of plant introducer,immortal figures,and many other amalgamated representations.People infused their unique life experiences into the image of ZHANG Qian,writing their own versions of history in different forms,creating diverse new texts and images with significant cognitive value.The core understanding and image reception of ZHANG Qian's achievements revolve around his “pioneering” efforts in the Western Regions and the establishment of the Silk Road.As an exemplary figure embodying the spirit of the Chinese nation and a pioneer in cultural exchange,ZHANG Qian's story is an endless tale of fascinating narratives in both domestic and international cultural communication.
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