拉俄达弥亚剧的悲剧精神在白银时代文学中的变易  

The“Becoming”Relationship of Tragic Spirits in Laodamia Tragedies in Silver Age

作　　者：余翔 Yu Xiang

机构地区：[1]南开大学外国语学院

出　　处：《俄罗斯文艺》2024年第1期33-45,共13页Russian Literature & Arts

基　　金：2023年国家社科基金青年项目“俄国白银时代的‘新神话主义’戏剧创作研究”(23CWW020)阶段性成果。

摘　　要：希腊神话中拉俄达弥亚的爱情悲剧在白银时代的俄国文坛引起了集中关注,因·安年斯基、费·索洛古勃和瓦·勃留索夫分别据此写出了各具风格的现代悲剧,塑造了三位悲剧精神迥异的女性形象。以该悲剧原型的正反“二重性”--爱情的永恒性与生命的局限性为纲,三部作品在核心情节、象征系统以及伦理冲突层面均呈现出有迹可循的诗学差异,并由此导致三位主人公的悲剧精神形成变易关系,而这层关系背后则潜藏着作者们各自的创作意志。The ancient Greek tragedy of“Laodamia”has attracted the attention of the Russian literary circle in Silver Age.Using this theme,I.Annenskiy,F.Sologub and V.Brusov wrote three modern tragic works with different styles,and successfully shaped three female images with different tragic spirits.Based on the“duality”structure contained in this tragedy,namely the permanence of love and the limitation of life,in core plots,symbolic systems and ethical conflicts three works show traceable poetic differences,which leads to the formation of a changing relationship between the tragic spirits of the three heroines,and behind this relationship lie the authors'creative wills.

关 键 词：拉俄达弥亚 悲剧精神 二重性 变易 酒神 

分 类 号：I512.073[文学—其他各国文学]