民国时期桐城诗派的诗学承变与风格追求  

A Study on the Poetics Succession and Style Pursuit of Tongcheng School in the Period of Republic of China

作　　者：王春 WANG Chun(College of Liberal Arts,Shanghai University,Shanghai 200444,China)

机构地区：[1]上海大学文学院,上海200444

出　　处：《河南科技学院学报（社会科学版）》2024年第1期67-74,共8页Journal of Henan Institute of Science and Technology

基　　金：国家社会科学基金青年项目“学术转型视阈下的民国时期近代诗歌批评研究”(23CZW040),主持人:王春。

摘　　要：桐城诗派源远流长,甚受学人推重,在晚清民国亦焕发出了别样的光彩。从地域渊源上看,清代桐城诗派的诗歌理论与创作特色无疑是民国桐城诗派取法的诗学资源。在特定的时代背景之下,吴闿生、曾克耑等人采取较为保守的文学立场,除了通过教学活动促进桐城诗派的传承与扩散外,尤其着力于对桐城派诗人谱系的建构。而在诗歌创作上,民国时期的桐城派追求雄放奇崛的诗歌风格,这丰富了民国旧体诗的多样性,展示了古典诗歌在艰危苦难中所蕴藏的精神力量和文学价值。Tongcheng School of Poetry had a long history and was highly valued by scholars.It also showed a different brilliance in the late Qing Dynasty and the Republic of China.From the perspective of regional origin,the poetry theory and creation characteristics of Tongcheng School in Qing Dynasty were undoubtedly the poetic resources of Tongcheng School in Republic of China.Under the specific background of The Times,Wu Kaisheng,Zeng Kezhuan and others took a more conservative literary stance,not only promoting the inheritance and diffusion of the Tongcheng School of Poetry through teaching activities,but also focusing on the construction of the genealogies of the Tongcheng School poets.In terms of poetry creation,the Tongcheng School of the Republic of China pursued a unique style of poetry,enriched the diversity of the old style of poetry of the Republic of China,and demonstrated the spiritual power and literary value of classical poetry in difficulties and hardships.

关 键 词：桐城诗派 民国 吴闿生 曾克耑 《晚清四十家诗钞》 

分 类 号：I206[文学—中国文学]