新世纪以来革命历史题材电影的文化记忆书写  

The Writing of Cultural Memory in Revolutionary Historical Films Since the New Century

作　　者：李掖平 贺翔宇 LI Ye-ping;HE Xiang-yu

机构地区：[1]山东师范大学新闻与传媒学院

出　　处：《北京社会科学》2024年第1期27-37,共11页Social Sciences of Beijing

基　　金：教育部人文社会科学研究规划基金项目(22YJA760042)——抗美援朝电影的国家认同机制研究。

摘　　要：运用文化记忆理论和电影叙事学研究等方法,对新世纪以来革命历史题材电影以激活文化记忆为核心的叙事策略进行研究发现:在价值取向方面,这类电影始终紧扣传统伦理价值观与革命伦理价值观在道义性上的内在耦合;在人物形象塑造与情节设计方面,深探传统文化资源进行类型更新,借助共同文化经验实现从情感认同到文化认同;在叙事空间建构方面,以“记忆之场”的叙事空间建构,通过对观众的共情呼唤,引领观众激活潜藏于心中的革命历史记忆,最终实现国家和民族的政治认同与文化认同。Using the theory of cultural memory and the study of film narratology and other methods,we conduct an in-depth study on the narrative strategy of activating cultural memory as the core of the revolutionary historical films since the new century.Firstly,it always focuses on the intrinsic coupling of traditional ethical values and revolutionary ethical values in terms of morality;Secondly,in characterization and plot design,we deeply explore traditional cultural resources to update the genre,and realize from emotional identity to cultural identity with the help of common cultural experience;Thirdly,in the construction of narrative space,we construct narrative space with the“field of memory”,and lead the audience to activate the latent memory of the revolution in their hearts through the call of empathy,so as to ultimately realize the political identity and cultural identity of the country and the nation.

关 键 词：革命历史题材电影 文化记忆 叙事策略 国家认同 

分 类 号：G206.2[文化科学—传播学]