异质、同构与融合:白马藏人傩乐舞多元传承属性解析  

Heterogeneity,Isomorphism and Mutual Integration:Analysis of the Various Inheritance Attributes of Baima Tibetan Nuo Music and Dance

作　　者：张益琴[1] 王苗苗 ZHANG Yi-qin;WANG Miao-miao(School of Music and Dance,Longnan Teachers College,Chengxian Gansu 742500)

机构地区：[1]陇南师范高等专科学校音乐与舞蹈学院,甘肃成县742500

出　　处：《甘肃高师学报》2023年第6期115-120,共6页Journal of Gansu Normal Colleges

基　　金：2021年甘肃省高等学校教学质量提高项目“地方民族文化融入高校音乐教育专业人才培养体系的研究与实践”;2023年甘肃省高等学校创新基金项目“口述史视域下陇南民间小曲的整理与研究”(2023B-427)。

摘　　要：白马藏人傩乐舞是我国傩文化的遗存,在千百年文化传承中,民间现存的十余种傩乐舞在族群相同信仰、语境、审美体系中一直保留着鲜明的异质、同构与融合等多元传承特色,成为有别于其他族群文化传承的重要标志。本研究对白马藏人傩乐舞受区域文化、信仰习俗、传承方式影响在表演模式、类型、结构等方面存在的差异性,在表演规格、文化功能、表演风格、叙事内容等方面呈现的统一与融合等多元属性进行了考察与分析。The Baima Tibetan Nuo music and dance is a heritage of China's Nuo culture.In the thousands of years of cultural inheritance,more than ten existing folk Nuo music and dance have always retained distinct diverse inheritance characteristics such as heterogeneity,isomorphism,and integration in the same belief,context,and aesthetic system of the ethnic group,becoming an important symbol of cultural inheritance that is different from other ethnic groups.This study investigates and analyzes the differences in performance modes,types,and structures of Baima Tibetan Nuo music and dance influenced by regional culture,belief customs and inheritance methods,as well as the unified and integrated pluralistic attributes presented in performance specifications,cultural functions,performance styles,narrative content,and other aspects.

关 键 词：白马藏人 傩乐舞 异质 同构 融合 多元一体 

分 类 号：J722.2[艺术—舞蹈]