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作 者:李苏豫[1] 陈灏 Li Suyu;Chen Hao
机构地区:[1]厦门大学建筑与土木工程学院
出 处:《华中建筑》2024年第2期5-9,共5页Huazhong Architecture
基 金:国家自然科学基金面上项目(编号:51878581)。
摘 要:该文基于建筑本体与表现的关系,回顾17~20世纪后结构变化发展,阐述结构理性逐渐拓展为强调知觉体验的建构体系,从荷载清晰可视向综合文化地域的复杂性迈进。以结构诗意化表现为切入点,揭示结构与感知的关系,结合案例分析,从结构的模糊表达、结构与空间叠合、结构与材料工艺等方面阐述结构知觉化设计策略,为当代结构的诗意呈现提供设计思路。Based on the relationship between architectural ontology and presentation,we review the evolution and development of structure from the 17th to the 20th century,and expound that structural rationality has gradually expanded into a construction system emphasizing perceptual experience,from the clear structure to the complexity of the integrated cultural region.Taking the Poetic Expression of structure as the breakthrough point,we reveal the relationship between structure and perception,and combine the case analysis,so as to provide the design strategy for Poetic Expression of structure from the aspects of the fuzzy expression of structure,the superposition of structure and space,structure and material technology,etc.
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