巩固家庭到生产建设:戏曲电影《刘巧儿》的爱情话语嬗变  

Strengthening Family to Building Production:Transformation of Love Discourse in the Opera Film Liu Qiao’er

作　　者：王文慧 WANG Wen-hui(School of Chinese Language and Literature,Shaanxi Normal University,Xian 710119,China)

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《榆林学院学报》2024年第1期53-58,共6页Journal of Yulin University

基　　金：国家社会科学基金青年项目(23CZW047);陕西师范大学研究生领航人才基金项目(LHRCTS23037)。

摘　　要：1950年代中后期出于对《中华人民共和国婚姻法》宣传的需要,大量婚姻题材电影应时而出。在延安时期通过不同文艺形式改编而为人熟知的“刘巧儿”,也被改编成带有时代印记的电影《刘巧儿》。有意味的是,影片通过以个人本位对群体本位话语的让渡,尽管强调了刘巧儿与女变工队员的婚姻自主性,却使爱情话语被悬置起来,以一种向往嫁给劳动模范的爱情观代替。这一叙事策略的转变,意味着新中国成立后中国共产党解决婚姻问题的目的从维护边区稳定转向促进生产建设。对劳模英雄作出贡献给予肯定的表彰仪式,强化了人民当家作主的主人翁意识,使“劳模神圣”的价值观成为青年男女新中国建设的内驱力。From mid 1950s to late 1950s,a large number of marriage-themed movies were produced in response to the need to publicize the Marriage Law of the People’s Republic of China.Liu Qiao’er,who became known in the Yan’an period through different forms of literature and art,was also adapted into the movie Liu Qiao’er,which bears the imprint of the times.The film’s transition from an individual-based discourse to a group-based discourse,while emphasizes the marital autonomy of Liu Qiao’er and her female teammates,suspends the discourse of love and replaces it with a view of love that aspires to marry a model worker.This shift in narrative strategy implies that the purpose of the Communist Party of China in resolving the marriage issue after the founding of New China shifted from maintaining stability in the border areas to promoting production and construction.The recognition ceremony for the contribution of model workers and heroes reinforces people’s sense of ownership and makes the value of“sanctity of the model worker”become an internal driving force for young men and women in the construction of a new China.

关 键 词：刘巧儿 婚姻法 爱情话语 妇女解放 

分 类 号：I235.1[文学—中国文学]