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作 者:刘尊明 Liu Zunming
出 处:《学术研究》2024年第1期166-174,178,共10页Academic Research
基 金:国家社科基金重大项目“明清词谱研究与《词律》《钦定词谱》修订”(18ZDA253)的阶段性成果。
摘 要:徐师曾的《文体明辩·诗余》因长期受到《啸余谱》的遮蔽,故历代研究较为薄弱,或多关注其文体学一隅,或仅局限于词谱学的范围。实际上,徐师曾是在文体学理论方法的参照下编撰《诗余》图谱的,他借用了图谱的形式对独特而多样的词体进行阐释和印证,对文体学和词谱学都做出了开拓和创新,因而具有双重理论价值和实践意义。具体表现在五个方面:其一是文体分辨与词谱编撰的结合与共存;其二是作品采选和文献征引的拓展与丰富;其三是图谱编撰和谱式设计的改进与创新;其四是词调分类和编排体例的创新与突破;其五是同调异体和词体分辨的开拓与深化。Xu Shizeng’s Wenti Mingbian·Shi Yu has been obscured by the Xiaoyu Pu for a long time,so research over the years has been relatively weak,either focusing more on a corner of his stylistic studies or limited to the scope of Ci Pu studies.In fact,Xu Shizeng compiled the atlas of Shi Yu with reference to the theoretical methods of stylistics.He borrowed the form of the atlas to explain and verify the unique and diverse forms of poetry,and made explorations and innovations in both stylistics and lexicology,thus possessing dual theoretical value and practical significance.Specifically,it is manifested in five aspects:Firstly,the combination and coexistence of stylistic differentiation and vocabulary compilation;The second is the expansion and enrichment of work selection and literature citation;The third is the improvement and innovation of graph compilation and spectral design;The fourth is the innovation and breakthrough of tone classification and arrangement styles;The fifth is the exploration and deepening of the distinction between homologous variants and word forms.
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