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作 者:陈智聪 刘文海[1] Chen Zhicong;Liu Wenhai
机构地区:[1]中南林业科技大学家具与艺术设计学院,湖南长沙410004
出 处:《家具与室内装饰》2023年第12期30-35,共6页Furniture & Interior Design
基 金:2021年湖南省新文科研究与改革实践项目:新文科背景下行业特色型艺术设计人才培养的实践探索;2021教育部产学合作协同育人项目:面向“大家居”产业的交叉融合型设计人才培养模式研究。
摘 要:闽西客家,是我国汉族中具有地域性、独特性的民系。目前学界对闽西客家的研究主要在文化、族群等方面成果颇丰,但对于生活器物的研究较少。闽西客家传统竹编提篮是其文化的载体之一,承载着独特文化的重要表现,对其研究可以补充闽西客家在器物方面的不足。本文围绕闽西客家传统竹编提篮,重点研究提篮的形制、工艺和装饰特征,运用类型学研究法对提篮进行造型分类和结构分解,总结其中蕴含的审曲面势、致用利人和文质彬彬的传统造物思想,为当代产品设计提供一定的理论指导,为传承和发展中国传统造物思想奠定理论基础。The Hakka in western Fujian is a regional and unique folk system of the Han nationality.At present,the study of Hakka in western Fujian has achieved a lot in the aspects of culture and ethnic groups,but there are few studies on living objects.The traditional bamboo woven basket is one of the carriers of the Hakka culture in western Fujian,which carries the important expression of the unique culture,and the research on it can supplement the deficiencies of Hakka in the aspect of artifacts.Focusing on the traditional bamboo woven baskets in western Fujian,this paper focuses on the characteristics of the shape,process,and decoration of the baskets,uses typology to classify and decompose the shapes of the baskets,and summarizes the traditional ideas of creation,including that the materials should be checked before making utensils,the functions of the utensils should be people-oriented,and the unity of opposition between essence and external expression.It provides some theoretical guidance for contemporary product design and lays a theoretical foundation for inheriting and developing Chinese traditional creation thought.
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