苏式手工艺与明式家具的地域审美共性研究  

A Study on the Regional Aesthetic Commonness of Suzhou-style Handicraft and Ming-style Furniture

作　　者：汪俊霞 夏岚[1] 袁进东[1] Wang Junxia;Xia Lan;Yuan Jindong

机构地区：[1]中南林业科技大学家具与艺术设计学院,湖南长沙410004

出　　处：《家具与室内装饰》2023年第12期92-96,共5页Furniture & Interior Design

基　　金：湖南省社科基金一般项目(21YBA099);湖南省教育厅科学研究项目(20A512);湖南省社科基金一般项目(21YBA097)。

摘　　要：吴地历史源远流长,传统文化底蕴深厚,通过考察博物馆藏文物,结合苏州及周边地区出土物与史志资料,探讨这一地域的手工艺及其在江南水乡独有的生活习俗和宗教文化中积累的地域审美,分析苏式手工艺与明式家具所体现的地域特色,对比发现两者在造型题材、外貌气质、装饰题材寓意以及吉祥纹饰的组合形式与形态变化等方面都具有一致性。研究表明,苏式手工艺与明式家具在相同地域文化的浸润下,有着共同的美学气质与地域特色。以匠人的视角展开研究,从苏州匠人的造物意识与所作物件的物象中寻求共性,剖析苏式手工艺与明式家具之间的审美关联,更新了研究视角,丰富了明式家具的内涵,并为后来学者在研究与之相关的课题中提供了新的角度与思路。Wu boasts a long history and rich traditional culture.Through the investigation of cultural relics collected in the museum,combined with the unearthed objects and historical records of Suzhou and its surrounding areas,this paper discusses the handicrafts in this area and the regional aesthetics accumulated in the unique customs and religious culture of Jiangnan water villages,and analyzes the regional characteristics of Suzhou-style handicrafts and Ming-style furniture.By comparison,it is found that the two are consistent in the aspects of modeling theme,appearance temperament,the moral of decorative theme,as well as the combination form and morphological change of auspicious decoration.The research illustrates that Suzhou-style handicraft and Ming-style furniture have the identical aesthetic temperament and regional characteristics under the same regional culture.This study launches the research from the perspective of craftsmen,seeks commonness from the creation consciousness of Suzhou craftsmen and the object s made,analyzes the aesthetic relationship between Suzhou-style handicrafts and Ming-style furniture,updates the research perspective,enriches the connotation of Ming-style furniture,and provides new angles and ideas for later scholars in the research related topics.

关 键 词：苏式手工艺 明式家具 地域审美 

分 类 号：TS664.1[轻工技术与工程]