《草堂诗余》在明代的改编重刊与词学阐释  

On the Republication of Caotang Shiyu in Ming Dynasty and its Interpretation in Ci-Poetics

作　　者：陈水云[1] CHEN Shui-yun(School of Literature,Wuhan University,Wuhan Hubei 430072,China)

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《苏州大学学报（哲学社会科学版）》2024年第1期136-146,共11页Journal of Soochow University(Philosophy & Social Science Edition)

基　　金：教育部哲学社会科学研究后期资助项目“清代词学观念史研究”(项目编号:17JHQ046)的阶段性成果。

摘　　要：明代中后期有一股改编重刊《草堂诗余》的浓厚风气,其目的主要是为了适应它从歌词作品集向文学作品集的转变,还藉此形塑了一个分类、储存、加工古今词作的知识空间。围绕《草堂诗余》的改编重刊,明代中后期形成了采用不同策略(或分类,或分调)的词学阐释群体,他们通过选词、考调、校勘、笺注、评点等方式,构筑了一个个不同的集词选、词谱、词评于一体的唐宋词阐释系统,对文本施加或预设其特有的阐释意图,或溯源诗乐传统以尊体,或揭示言情特质以别体。《草堂诗余》在明代的改编重刊不但为唐宋词在明代的传播作了突出贡献,而且也为词学知识体系的建构打下了一定基础。In the mid to late Ming Dynasty,there was a strong trend of re-edit and reprint Caotang Shiyu(Poetic Residue from the Thatched Hut),which was intended primarily to accommodate its transition from a collection of songs to a collection of literary works,and also to create a knowledge space for categorizing,preserving,and processing poetry of the past and of the time.Around the republication of Caotang Shiyu,a group of scholars emerged who employed various strategies(either categorized or sub-toned)to interpret Ci-poetics.They constructed a different interpretation system of Tang-Song Ci integrating collection,composition,and comments by choosing pieces analyzing tonal patterns,editing,annotating and criticizing them.By imposing or presupposing their own unique interpretive intentions on the texts,either tracing the poetic and musical traditions in order to honor the style,or revealing the emotional qualities of Ci in order to distinguish between the two styles.The republication of Caotang Shiyu in the Ming Dynasty not only made outstanding contributions to the dissemination of Tang-Song Ci throughout the Ming Dynasty,but also set a foundation for the construction of the Ci-poetics knowledge system.

关 键 词：明代 词学 草堂诗余 阐释群体 知识体系 

分 类 号：I207.23[文学—中国文学]