当代艺术的审美危机与救赎方案  

The Aesthetic Crisis and Redemption Plan of Contemporary Art

作　　者：张泽鸿 ZHANG Zehong(School of Literature,Huaiyin Normal University,Huai'an 223300,China)

机构地区：[1]淮阴师范学院文学院,江苏淮安223300

出　　处：《美育学刊》2024年第1期65-74,共10页Journal of Aesthetic Education

基　　金：国家社会科学基金一般项目“新现象学视阈下当代气氛美学的理论谱系研究”(23BZX118)的阶段性成果。

摘　　要：20世纪以来,具象艺术处在向抽象艺术持续转向的范式危机之中,作为新旧范式转换的一个过渡形态,当代前卫艺术(后现代艺术)自身也充满了表征的和审美的危机,并对当代美学和艺术理论提出了挑战。传统美学模式面对当代艺术的观念化倾向无法展开恰当的批评,因而也导致艺术审美阐释的危机。当代艺术的审美危机既涉及艺术概念本身,也涉及大众对艺术的期待。以显现美学、气氛美学等为代表的当代新美学突破了分析美学之藩篱,重回审美的“感性学”传统,以“显现”“气氛”“通感”等感性概念为解释框架,建构以身体为中心的感知经验,重新发现和阐释了当代先锋派艺术作品的诸感性特征,针对当代艺术的审美危机提出了合理的感性救赎方案,推动了当代艺术的审美回归。Since the 20th century,there has been a paradigm crisis,which is the shift from figurative art to abstract art.As a transitional form from the old paradigm to the new one,contemporary avant-garde art is also full of crisis in representation and aesthetics,which poses a serious challenge to contemporary aesthetics and art theory.Traditional aesthetics cannot adequately articulates the conceptualization of contemporary art,leading to a crisis in aesthetic interpretation.The aesthetic crisis of contemporary art involves both the artistic concept itself and the public's expectations of art.Contemporary new aesthetics,represented by the aesthetics of appearing and atmospheres,has broken through the barriers of analytical aesthetics and returned to the tradition of"sensory studies"of aesthetics.Using sensory concepts such as"appearing","atmospheres"and"synesthesia"as explanatory frameworks,they construct a perception experience centered on the body,rediscover and interpret the various sensory experience characteristics of contemporary avant-garde art works,and propose a reasonable emotional redemption plan for the aesthetic crisis of contemporary art.

关 键 词：当代艺术 审美危机 反审美 观念化 显现美学 气氛美学 审美回归 

分 类 号：J01[艺术—艺术理论]