“出了象牙之塔”:《申报·艺术界》与《艺术界周刊》的互文性传播研究  

“Out of the Ivory Tower”:A Study on the Intertextual Communication Between“Art World”of The Shun Pao and Art Weekly

作　　者：刘晨[1] LIU Chen(The Master Hongyi and Feng Zikai Research Institute,Hangzhou Normal University,Hangzhou 311121,China)

机构地区：[1]杭州师范大学弘一大师·丰子恺研究中心,浙江杭州311121

出　　处：《美育学刊》2024年第1期93-103,共11页Journal of Aesthetic Education

基　　金：国家社会科学基金一般项目“晚清民国期刊中的美育史料整理与研究(1900-1949)”(18BZW018)的阶段性成果。

摘　　要：《申报》著名副刊《艺术界》与《艺术界周刊》存在明确的互文现象,这种互文现象对民国时期的艺术界传播产生积极影响,推动艺术文化研究从“象牙之塔”走向“十字街头”,形成提倡艺术、走向民众、趋向普及的传播语境,同时也成为“民族主义文艺运动”的重要生发地。There is a clear intertextuality between the famous supplement“Art World”of The Shun Pao and Art Weekly,which exerts a positive impact on the art dissemination during the Republic of China period,promoting the research of art and culture from the“ivory tower”to the“crossroad”.As a result,it creates a communicative context that advocates art,reaches the public,and tends towards popularization.At the same time,it has also become an important birthplace of the“nationalist literary and artistic movement”.

关 键 词：《申报·艺术界》 《艺术界周刊》 互文性 传播 民国 

分 类 号：J120.9[艺术—艺术理论]